Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Panini, Giovanni Paolo 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
72441 Adoration of the Shepherds Panini, Giovanni Paolo Adoration of the Shepherds Date ca. 1755(1755) Medium Oil on canvas Dimensions 96.5 X 73.3 cm (37.99 X 28.86 in) cyf
19759 Departure of Duc de Choiseul from the Piazza di St. Pietro Panini, Giovanni Paolo Departure of Duc de Choiseul from the Piazza di St. Pietro 1754 Oil on canvas Gemäldegalerie, Berlin.
19758 Interior of a Picture Gallery with the Collection of Cardinal Gonzaga Panini, Giovanni Paolo Interior of a Picture Gallery with the Collection of Cardinal Gonzaga 1749 Oil on canvas Wadsworth Atheneum, Hartford, CT.
19756 Interior of Saint Peter's, Rome Panini, Giovanni Paolo Interior of Saint Peter's, Rome 1746-54 Oil on canvas National Gallery of Art, Washington D.C.
19755 Roman Ruins with Figures Panini, Giovanni Paolo Roman Ruins with Figures 1730 Oil on canvas National Gallery, London.
19753 Ruins with Scene of the Apostle Paul Preaching Panini, Giovanni Paolo Ruins with Scene of the Apostle Paul Preaching 1744 Oil on canvas The Hermitage, St. Petersburg.
28439 Ruins with Scene of the Apostle Paul Preaching Panini, Giovanni Paolo Ruins with Scene of the Apostle Paul Preaching mk60 1744 Oil on cnavas 25x33"
19754 The Plaza and Church of St. Maria Maggiore Panini, Giovanni Paolo The Plaza and Church of St. Maria Maggiore 1744 Oil on canvas
19757 View of Rome from Mt. Mario, In the Southeast Panini, Giovanni Paolo View of Rome from Mt. Mario, In the Southeast 1749 Oil on canvas Gemäldegalerie, Berlin.

Panini, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765 Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).
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